Business Listing - Theater

American Conservatory Theater (A.C.T.)

415 Geary St.
San Francisco, CA 94102 map
cross street: Mason
district: Union Square/San Francisco Centre

Tel. 415-749-2228
Website

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Events Calendar

Thu Dec 04 - Sat Dec 27

A Christmas Carol

Scrooge is back, and he's meaner than ever in A.C.T.'s A Christmas Carol, the Bay Area's favorite holiday tradition. Featuring adorable Tiny Tim, those spooky Christmas ghosts, and a multigenerational cast of dozens, A Christmas Carol is a sparkling,... More

About American Conservatory Theater (A.C.T.)

American Conservatory Theater nurtures the art of live theater through dynamic productions, intensive actor training in its conservatory, and an ongoing dialogue with its community. Under the leadership of Artistic Director Carey Perloff and Managing Director Heather Kitchen, A.C.T. embraces its responsibility to conserve, renew, and reinvent its relationship to the rich theatrical traditions and literatures that are our collective legacy, while exploring new artistic forms and new communities. A commitment to the highest standards informs every aspect of A.C.T.'s creative work.

Founded in 1965 by William Ball, A.C.T. opened its first San Francisco season at the Geary Theater in 1967. In the 1970s, A.C.T. solidified its national and international reputation, winning a Tony Award for outstanding theater performance and training in 1979. During the past three decades, more than 300 A.C.T. productions have been performed to a combined audience of seven million people; today, A.C.T.'s performance, education, and outreach programs annually reach more than 250,000 people in the San Francisco Bay Area. In 1996, A.C.T.'s efforts to develop creative talent for the theater were recognized with the prestigious Jujamcyn Theaters Award.

Today A.C.T. is nationally recognized for its groundbreaking productions of classical works and bold explorations of contemporary playwriting. Since the reopening of the Geary Theater in 1996, A.C.T. has enjoyed a remarkable period of audience expansion and renewed financial stability. The company continues to produce challenging theater in the rich context of symposia, audience discussions, and community interaction.

The conservatory, led by Melissa Smith now serving 1,900 students every year, was the first training program in the United States not affiliated with a college or university accredited to award a master of fine arts degree. Danny Glover, Annette Bening, Denzel Washington, Benjamin Bratt and Winona Ryder are among the conservatory's distinguished former students. With its commitment to excellence in actor training and to the relationship between training, performance, and audience, the A.C.T. Master of Fine Arts Program has moved to the forefront of America's actor training programs, while serving as the creative engine of the company at large.

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Editorial Review

Travesties at A.C.T.

Who’s Your Dada?

By Clifton Lemon (09/22/2006)

" The first ten minutes of "Travesties", written by Tom Stoppard, is particularly disorienting, but in a way that turns out to make sense later (if that makes any sense). The main character, Henry Carr, an elderly, loquacious, senile English gentleman, rolls around on a stark stage in an antique wheelchair, dressed in a fez-like hat and richly embroidered robe, rambling on about his reminiscences of living in Zurich in 1917. "

Editorial Review

A Number at A.C.T.

The Uniqueness of Being(s)

By Nirmala Nataraj (05/11/2006)

" If you stop to closely consider all the elements that constitute an individual -- core beliefs, relationships, ideals, a fate largely dictated by the convergence of social and economic conditions -- then the concept of uniqueness becomes a bit far-fetched. Caryl Churchill examines all of the above to brilliant effect in her play "A Number", which dissects the archetypal father-son relationship under the heavily subdued lights of genetic engineering. "

Editorial Review

Gem of the Ocean

Standing in the Light

By Clifton Lemon (02/24/2006)

" This complex, mystical, and powerful work is the ninth in August Wilson's ten play cycle about the twentieth century African-American experience. Gem of the Ocean's setting, Pittsburgh in 1904, is the earliest chronologically; it introduces characters referred to in the cycle's plays set in later decades. It paints a vivid historical picture of life in the post-Emancipation North that's as full of pain, joy, humor, and resonance as it is devoid of sentimentality, sanctimoniousness, or prejudice. "

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